{"id":872,"date":"2026-10-05T08:05:36","date_gmt":"2026-10-05T11:05:36","guid":{"rendered":"https:\/\/www.narrativas.com.puc-rio.br\/?p=872"},"modified":"2026-10-13T08:37:30","modified_gmt":"2026-10-13T11:37:30","slug":"autoria-expandida-no-audiovisual","status":"publish","type":"post","link":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/2026\/10\/05\/autoria-expandida-no-audiovisual\/","title":{"rendered":"Autoria Expandida no Audiovisual: Narrativas &#038; Consumo recebe a autora Rosane Svartman no ResenhaCOM da PUC-Rio"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.22.2&#8243; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.22.2&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p data-path-to-node=\"9\" id=\"p-rc_7f6edcbebd64ce0b-204\"><span data-path-to-node=\"9,0\">No dia 5 de outubro de 2026, as professoras e pesquisadoras <b data-path-to-node=\"9,0\" data-index-in-node=\"60\">Tatiana Siciliano<\/b> e <b data-path-to-node=\"9,0\" data-index-in-node=\"80\">Bruna Aucar<\/b> (coordenadoras do N\u00facleo de Pesquisa <b data-path-to-node=\"9,0\" data-index-in-node=\"129\">Narrativas &amp; Consumo<\/b>) receberam a cineasta, pesquisadora e autora de telenovelas <b data-path-to-node=\"9,0\" data-index-in-node=\"239\">Rosane Svartman<\/b> para uma edi\u00e7\u00e3o especial do <b data-path-to-node=\"9,0\" data-index-in-node=\"283\">ResenhaCOM<\/b>, promovido pelo Departamento de Comunica\u00e7\u00e3o da PUC-Rio<\/span><span data-path-to-node=\"9,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"9,2\">. Com a sala K102 lotada de estudantes e pesquisadores, o bate-papo teve como eixo central o tema <b data-path-to-node=\"9,2\" data-index-in-node=\"98\">\u201cAutoria Expandida no Audiovisual\u201d<\/b>, explorando os bastidores da cria\u00e7\u00e3o seriada, as transforma\u00e7\u00f5es trazidas pelo streaming e as din\u00e2micas de trabalho coletivo<\/span><span data-path-to-node=\"9,3\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"9,4\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p data-path-to-node=\"10\" id=\"p-rc_7f6edcbebd64ce0b-205\"><span data-path-to-node=\"10,0\">Apresentada carinhosamente no encontro por Tatiana Siciliano como a &#8220;Nossa Senhora das Sete&#8221; \u2014 em men\u00e7\u00e3o ao t\u00edtulo hist\u00f3rico de Janete Clair como padroeira do hor\u00e1rio nobre \u2014, Rosane \u00e9 doutora em Comunica\u00e7\u00e3o\/Cinema pela UFF, autora do livro <i data-path-to-node=\"10,0\" data-index-in-node=\"241\">A telenovela e o futuro da televis\u00e3o brasileira<\/i> (2023) e respons\u00e1vel por sucessos expressivos da teledramaturgia como <i data-path-to-node=\"10,0\" data-index-in-node=\"359\">Totalmente Demais<\/i> (2015), <i data-path-to-node=\"10,0\" data-index-in-node=\"385\">Vai na F\u00e9<\/i> (2023), temporadas de <i data-path-to-node=\"10,0\" data-index-in-node=\"417\">Malha\u00e7\u00e3o<\/i>, a s\u00e9rie <i data-path-to-node=\"10,0\" data-index-in-node=\"435\">Vermelho Sangue<\/i> (2025) e a recente <i data-path-to-node=\"10,0\" data-index-in-node=\"470\">Dona de Mim<\/i><\/span><span data-path-to-node=\"10,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"10,2\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p data-path-to-node=\"11\" id=\"p-rc_7f6edcbebd64ce0b-206\"><span data-path-to-node=\"11,0\">Durante a conversa, Rosane detalhou o funcionamento pr\u00e1tico das salas de roteiro e defendeu que a autoria contempor\u00e2nea ultrapassa a figura isolada do autor-criador<\/span><span data-path-to-node=\"11,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"11,2\">. Para a dramaturga, a cria\u00e7\u00e3o de uma novela consolida-se como uma rede integrada que envolve diretores, colaboradores, produtores, elenco e, primordialmente, os pr\u00f3prios telespectadores<\/span><span data-path-to-node=\"11,3\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"11,4\">:<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<blockquote data-path-to-node=\"12\">\n<p data-path-to-node=\"12,0\" id=\"p-rc_7f6edcbebd64ce0b-207\"><span data-path-to-node=\"12,0,0\"><i data-path-to-node=\"12,0,0\" data-index-in-node=\"0\">\u201cO p\u00fablico \u00e9 parte nas decis\u00f5es de uma obra aberta. O poder est\u00e1 com ele, estamos sempre dialogando\u201d<\/i>, pontuou a autora, enfatizando que os arcos narrativos e as trajet\u00f3rias dos personagens se redefinem na intera\u00e7\u00e3o cont\u00ednua com a recep\u00e7\u00e3o da audi\u00eancia<\/span><span data-path-to-node=\"12,0,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"12,0,2\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<\/blockquote>\n<p data-path-to-node=\"13\" id=\"p-rc_7f6edcbebd64ce0b-208\"><span data-path-to-node=\"13,0\">A novelista tamb\u00e9m refletiu sobre a fun\u00e7\u00e3o social e afetiva da teledramaturgia ao abordar dilemas complexos no hor\u00e1rio das 19h<\/span><span data-path-to-node=\"13,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"13,2\">:<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<blockquote data-path-to-node=\"14\">\n<p data-path-to-node=\"14,0\"><i data-path-to-node=\"14,0\" data-index-in-node=\"0\">\u201cSempre tem um jeito de abordar o luto, o medo, o trauma, a sa\u00fade mental e outras grandes quest\u00f5es. A novela das sete passa entre dois telejornais, e todos esses temas est\u00e3o l\u00e1. A gente precisa falar sobre eles de forma mais l\u00fadica, com personagens, em um universo mais humano.\u201d<\/i><\/p>\n<p data-path-to-node=\"14,1\" id=\"p-rc_7f6edcbebd64ce0b-209\"><span><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<\/blockquote>\n<p data-path-to-node=\"15\" id=\"p-rc_7f6edcbebd64ce0b-210\"><span data-path-to-node=\"15,0\">O debate dialoga diretamente com as investiga\u00e7\u00f5es em curso conduzidas por Tatiana Siciliano e Bruna Aucar \u00e0 frente da equipe PUC-Rio no <b data-path-to-node=\"15,0\" data-index-in-node=\"136\">Observat\u00f3rio Ibero-Americano de Fic\u00e7\u00e3o Televisiva (OBITEL Brasil)<\/b> e no projeto <b data-path-to-node=\"15,0\" data-index-in-node=\"215\">\u201cObservat\u00f3rio do Melodrama Brasileiro no Streaming e suas transforma\u00e7\u00f5es\u201d<\/b>, apoiado pela Chamada Universal CNPq\/MCTI n\u00ba 44\/2024<\/span><span data-path-to-node=\"15,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"15,2\">. A atividade refor\u00e7a o compromisso do laborat\u00f3rio em aproximar a reflex\u00e3o te\u00f3rico-metodol\u00f3gica acad\u00eamica das rotinas e agentes do mercado audiovisual<\/span><span data-path-to-node=\"15,3\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"15,4\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><\/sources-carousel-inline><\/p>\n<p>[\/et_pb_text][lwp_image_carousel gallery_ids=&#8221;868,880,877,879,878&#8243; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/lwp_image_carousel][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No dia 5 de outubro de 2026, as professoras e pesquisadoras Tatiana Siciliano e Bruna Aucar (coordenadoras do N\u00facleo de Pesquisa Narrativas &amp; Consumo) receberam a cineasta, pesquisadora e autora de telenovelas Rosane Svartman para uma edi\u00e7\u00e3o especial do ResenhaCOM, promovido pelo Departamento de Comunica\u00e7\u00e3o da PUC-Rio. Com a sala K102 lotada de estudantes e [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":875,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:paragraph -->\n<p>Boas-vindas ao WordPress. Esse \u00e9 o seu primeiro post. 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