{"id":862,"date":"2026-09-29T07:54:37","date_gmt":"2026-09-29T10:54:37","guid":{"rendered":"https:\/\/www.narrativas.com.puc-rio.br\/?p=862"},"modified":"2026-10-13T08:00:56","modified_gmt":"2026-10-13T11:00:56","slug":"guerra-dos-sexos-na-autoria-de-novelas","status":"publish","type":"post","link":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/2026\/09\/29\/guerra-dos-sexos-na-autoria-de-novelas\/","title":{"rendered":"Guerra dos sexos na autoria de novelas"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.22.2&#8243; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.22.2&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p data-path-to-node=\"9\" id=\"p-rc_c362d24121e22bde-153\"><span data-path-to-node=\"9,0\">Em coluna publicada na <i data-path-to-node=\"9,0\" data-index-in-node=\"23\">Folha de S.Paulo<\/i>, o jornalista e cr\u00edtico Mauricio Stycer analisou a persistente disparidade de g\u00eanero nos espa\u00e7os de cria\u00e7\u00e3o da televis\u00e3o brasileira, destacando o papel do livro <b data-path-to-node=\"9,0\" data-index-in-node=\"201\"><i data-path-to-node=\"9,0\" data-index-in-node=\"201\">Autoria e G\u00eanero na Telenovela Brasileira<\/i><\/b> (Editora PUC-Rio), escrito pela professora e pesquisadora <b data-path-to-node=\"9,0\" data-index-in-node=\"301\">Tatiana Siciliano<\/b> (coordenadora do Narrativas &amp; Consumo) e pelo pesquisador <b data-path-to-node=\"9,0\" data-index-in-node=\"397\">Francisco Malta<\/b><\/span><span data-path-to-node=\"9,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"9,2\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p data-path-to-node=\"10\" id=\"p-rc_c362d24121e22bde-154\"><span data-path-to-node=\"10,0\">A reportagem evidencia que, embora a TV aberta concentre 57% dos empregos do setor audiovisual no pa\u00eds, as mulheres ocupam apenas 37% dos postos de trabalho contra 63% dos homens \u2014 assimetria que se aprofunda nos cargos de lideran\u00e7a, cria\u00e7\u00e3o e autoria principal<\/span><span data-path-to-node=\"10,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"10,2\">. Diante de um hist\u00f3rico em que pouqu\u00edssimas mulheres figuram em publica\u00e7\u00f5es de mem\u00f3ria sobre grandes novelistas (como a colet\u00e2nea institucional <i data-path-to-node=\"10,2\" data-index-in-node=\"145\">Autores: Hist\u00f3ria da Teledramaturgia<\/i>, que em quase mil p\u00e1ginas registrou apenas Gl\u00f3ria Perez e Maria Adelaide Amaral), a obra de Siciliano e Malta subverte a l\u00f3gica tradicional ao destinar a maioria de seus longos depoimentos a autoras: Ana Maria Moretzsohn, Gl\u00f3ria Perez, L\u00edcia Manzo, Rosane Svartman e Solange Castro Neves<\/span><span data-path-to-node=\"10,3\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"10,4\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p data-path-to-node=\"11\" id=\"p-rc_c362d24121e22bde-155\"><span data-path-to-node=\"11,0\">O texto repercute depoimentos cruciais das criadoras sobre as barreiras da ind\u00fastria<\/span><span data-path-to-node=\"11,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"11,2\">: L\u00edcia Manzo problematiza a avers\u00e3o ao risco na TV aberta e no streaming, pontuando que tramas aclamadas como <i data-path-to-node=\"11,2\" data-index-in-node=\"111\">A Vida da Gente<\/i> dificilmente seriam aprovadas pela busca corporativa por narrativas <i data-path-to-node=\"11,2\" data-index-in-node=\"195\">risk free<\/i><\/span><span data-path-to-node=\"11,3\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"11,4\">; Ana Maria Moretzsohn aponta o etarismo presente nas plataformas digitais, onde executivos priorizam profissionais de sua pr\u00f3pria faixa et\u00e1ria<\/span><span data-path-to-node=\"11,5\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"11,6\">; Gl\u00f3ria Perez recupera o pioneirismo de Ivani Ribeiro e Janete Clair na fixa\u00e7\u00e3o de hist\u00f3rias de sentimentos na cultura brasileira<\/span><span data-path-to-node=\"11,7\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"11,8\">; e Rosane Svartman defende a escuta da sociedade e das plateias como elemento vital para a renova\u00e7\u00e3o do formato<\/span><span data-path-to-node=\"11,9\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"11,10\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p data-path-to-node=\"12\" id=\"p-rc_c362d24121e22bde-156\"><span data-path-to-node=\"12,0\">A publica\u00e7\u00e3o \u00e9 fruto direto da pesquisa <b data-path-to-node=\"12,0\" data-index-in-node=\"40\">\u201cAs trabalhadoras do audiovisual fluminense: trajet\u00f3ria de mulheres por tr\u00e1s das c\u00e2meras na TV e no streaming\u201d<\/b> (Processo SEI-260003\/005775\/2024), financiada pela <b data-path-to-node=\"12,0\" data-index-in-node=\"202\">FAPERJ<\/b> no \u00e2mbito do edital Aux\u00edlio B\u00e1sico \u00e0 Pesquisa (APQ1)<\/span><span data-path-to-node=\"12,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"12,2\">. Ao documentar a autoria feminina sob a \u00f3tica dos m\u00e9todos e rotinas criativas, o livro consolida uma interven\u00e7\u00e3o historiogr\u00e1fica indispens\u00e1vel nos estudos sobre teledramaturgia no pa\u00eds<\/span><span data-path-to-node=\"12,3\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3887773462=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3887773462=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"12,4\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c1018145753=\"\"><source-inline-chip _ngcontent-ng-c1018145753=\"\" _nghost-ng-c2943621998=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www1.folha.uol.com.br\/colunas\/mauriciostycer\/2026\/09\/guerra-dos-sexos-na-autoria-de-novelas.shtml?utm_source=whatsapp&#038;utm_medium=social&#038;utm_campaign=compwa&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Dispon\u00edvel aqui&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Em coluna publicada na Folha de S.Paulo, o jornalista e cr\u00edtico Mauricio Stycer analisou a persistente disparidade de g\u00eanero nos espa\u00e7os de cria\u00e7\u00e3o da televis\u00e3o brasileira, destacando o papel do livro Autoria e G\u00eanero na Telenovela Brasileira (Editora PUC-Rio), escrito pela professora e pesquisadora Tatiana Siciliano (coordenadora do Narrativas &amp; Consumo) e pelo pesquisador Francisco [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":864,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:paragraph -->\n<p>Boas-vindas ao WordPress. Esse \u00e9 o seu primeiro post. Edite-o ou exclua-o, e ent\u00e3o comece a escrever!<\/p>\n<!-- \/wp:paragraph -->","_et_gb_content_width":"1080","footnotes":""},"categories":[49,27],"tags":[],"class_list":["post-862","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-saiu-na-midia-mulheres-no-audiovisual","category-tatiana-siciliano"],"_links":{"self":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts\/862","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/comments?post=862"}],"version-history":[{"count":3,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts\/862\/revisions"}],"predecessor-version":[{"id":866,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts\/862\/revisions\/866"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/media\/864"}],"wp:attachment":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/media?parent=862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/categories?post=862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/tags?post=862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}