{"id":691,"date":"2026-07-07T17:00:19","date_gmt":"2026-07-07T20:00:19","guid":{"rendered":"https:\/\/www.narrativas.com.puc-rio.br\/?p=691"},"modified":"2026-09-07T17:06:20","modified_gmt":"2026-09-07T20:06:20","slug":"benedito-ruy-barbosa-escrevia-chorando-sorrindo-e-sofrendo","status":"publish","type":"post","link":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/2026\/07\/07\/benedito-ruy-barbosa-escrevia-chorando-sorrindo-e-sofrendo\/","title":{"rendered":"\u2018Benedito Ruy Barbosa escrevia chorando, sorrindo e sofrendo\u2019, disse neto"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.22.2&#8243; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.22.2&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p data-path-to-node=\"7\" id=\"p-rc_57934032027349a5-310\"><span data-path-to-node=\"7,0\">Em reportagem especial para a coluna de Cultura da revista <i data-path-to-node=\"7,0\" data-index-in-node=\"59\">Veja<\/i>, o jornalista Valmir Moratelli repercutiu o falecimento de <b data-path-to-node=\"7,0\" data-index-in-node=\"123\">Benedito Ruy Barbosa<\/b>, aos 95 anos, reunindo depoimentos e an\u00e1lises sobre o processo de escrita e a singularidade da obra do autor que marcou a teledramaturgia brasileira<\/span><span data-path-to-node=\"7,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3223023805=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3223023805=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"7,2\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c638892488=\"\"><source-inline-chip _ngcontent-ng-c638892488=\"\" _nghost-ng-c425758869=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p data-path-to-node=\"8\" id=\"p-rc_57934032027349a5-311\"><span data-path-to-node=\"8,0\">A publica\u00e7\u00e3o destaca a an\u00e1lise da professora e pesquisadora <b data-path-to-node=\"8,0\" data-index-in-node=\"60\">Bruna Aucar<\/b> (coordenadora do Narrativas &amp; Consumo e docente do PPGCOM PUC-Rio), que ressaltou como Benedito foi determinante na constru\u00e7\u00e3o da identidade e da singularidade da telenovela nacional<\/span><span data-path-to-node=\"8,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3223023805=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3223023805=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"8,2\">. Em seu relato, Bruna pontua que o autor consolidou uma assinatura est\u00e9tica imediatamente reconhec\u00edvel: um universo habitado por figuras m\u00edticas, fantasmag\u00f3ricas e elementos fabulares que jamais se desconectavam dos dilemas sociais, afetivos e culturais do pa\u00eds.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c638892488=\"\"><source-inline-chip _ngcontent-ng-c638892488=\"\" _nghost-ng-c425758869=\"\" class=\"ng-star-inserted\"><\/source-inline-chip><\/sources-carousel-inline><\/p>\n<p data-path-to-node=\"9\" id=\"p-rc_57934032027349a5-312\"><span data-path-to-node=\"9,0\">A pesquisadora refor\u00e7a ainda que a dramaturgia de Benedito transformou o Brasil profundo, rural e popular em palco para conflitos universais \u2014 como disputas de terra, religiosidade, la\u00e7os de parentesco, tradi\u00e7\u00e3o e desejo \u2014, permitindo ao p\u00fablico brasileiro sonhar e, ao mesmo tempo, enxergar a si pr\u00f3prio na tela<\/span><span data-path-to-node=\"9,1\"><response-element class=\"no-md\" ng-version=\"0.0.0-PLACEHOLDER\"><source-footnote _nghost-ng-c3223023805=\"\" class=\"ng-star-inserted\"><sup _ngcontent-ng-c3223023805=\"\" class=\"superscript\"><\/sup><\/source-footnote><\/response-element><\/span><span data-path-to-node=\"9,2\">.<\/span><sources-carousel-inline ng-version=\"0.0.0-PLACEHOLDER\" _nghost-ng-c638892488=\"\"><\/sources-carousel-inline><\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/veja.abril.com.br\/cultura\/benedito-ruy-barbosa-escrevia-chorando-sorrindo-e-sofrendo-disse-neto\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Leia aqui&#8221; _builder_version=&#8221;4.22.2&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Em reportagem especial para a coluna de Cultura da revista Veja, o jornalista Valmir Moratelli repercutiu o falecimento de Benedito Ruy Barbosa, aos 95 anos, reunindo depoimentos e an\u00e1lises sobre o processo de escrita e a singularidade da obra do autor que marcou a teledramaturgia brasileira. A publica\u00e7\u00e3o destaca a an\u00e1lise da professora e pesquisadora [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:paragraph -->\n<p>Boas-vindas ao WordPress. Esse \u00e9 o seu primeiro post. Edite-o ou exclua-o, e ent\u00e3o comece a escrever!<\/p>\n<!-- \/wp:paragraph -->","_et_gb_content_width":"1080","footnotes":""},"categories":[30,7],"tags":[],"class_list":["post-691","post","type-post","status-publish","format-standard","hentry","category-bruna-aucar","category-saiu-na-imprensa"],"_links":{"self":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts\/691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/comments?post=691"}],"version-history":[{"count":2,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts\/691\/revisions"}],"predecessor-version":[{"id":694,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/posts\/691\/revisions\/694"}],"wp:attachment":[{"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/media?parent=691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/categories?post=691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/wp-json\/wp\/v2\/tags?post=691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}