{"id":321,"date":"2025-06-30T16:40:35","date_gmt":"2025-06-30T19:40:35","guid":{"rendered":"https:\/\/www.narrativas.com.puc-rio.br\/?p=321"},"modified":"2025-09-01T17:16:51","modified_gmt":"2025-09-01T20:16:51","slug":"mulheres-no-audiovisual-mariana-torres","status":"publish","type":"post","link":"https:\/\/www.narrativas.com.puc-rio.br\/index.php\/2025\/06\/30\/mulheres-no-audiovisual-mariana-torres\/","title":{"rendered":"Mulheres no Audiovisual | MARIANA TORRES"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.22.2&#8243; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Text&#8221; _builder_version=&#8221;4.22.2&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<span>Em entrevista, a roteirista e escritora Mariana Torres conta detalhes de sua experi\u00eancia profissional em dramaturgia e melodrama. Entre seus trabalhos, destacam-se a s\u00e9rie \u201cMaysa, quando fala o cora\u00e7\u00e3o\u201d (indicada ao pr\u00eamio Emmy), as telenovelas \u201cEm fam\u00edlia\u201d, \u201cOs dias eram assim\u201d, todas da TV Globo. Para o streaming, escreveu a 3\u00aa temporada da s\u00e9rie \u201cBom dia, Ver\u00f4nica\u201d, da Netflix, e a novela \u201cBeleza Fatal\u201d, da Warner\/Max. Adaptou, com \u00c2ngela Chaves, o romance \u201cV\u00e9spera\u201d, de Carla Madeira, com previs\u00e3o de lan\u00e7amento para 2025, na Warner\/Max. O depoimento integra o acervo As Trabalhadoras do Audiovisual Fluminense: Trajet\u00f3ria de Mulheres por Tr\u00e1s das C\u00e2meras na TV e no Streaming, projeto financiado pela FAPERJ.<\/span>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/_XP3YigV1Nw?si=9Jzb3Fm1qt9gLGCF\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Em entrevista, a roteirista e escritora Mariana Torres conta detalhes de sua experi\u00eancia profissional em dramaturgia e melodrama. Entre seus trabalhos, destacam-se a s\u00e9rie \u201cMaysa, quando fala o cora\u00e7\u00e3o\u201d (indicada ao pr\u00eamio Emmy), as telenovelas \u201cEm fam\u00edlia\u201d, \u201cOs dias eram assim\u201d, todas da TV Globo. Para o streaming, escreveu a 3\u00aa temporada da s\u00e9rie \u201cBom [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":345,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:paragraph -->\n<p>Boas-vindas ao WordPress. Esse \u00e9 o seu primeiro post. 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